apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life with Wine Glass and Silver Bowl
Still Life with Wine Glass and Silver Bowl by Pieter Claesz.

plate no. 2188

Still Life with Wine Glass and Silver Bowl

Pieter Claesz., 1635

oilBaroquestill lifestill lifewine glasssilverwaretablenutsmetal
some experience helpful

Recreating this painting will help students develop skills in rendering reflective surfaces and understanding subtle value changes to create form. It also provides practice in creating a sense of depth and realism through careful observation.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and composition of the objects.

  2. step 02

    Establish the background with a mid-tone gray-brown wash.

  3. step 03

    Block in the main shapes of the objects with their general values, focusing on the overall light and shadow patterns.

  4. step 04

    Begin refining the shapes and values of the objects, paying close attention to the highlights and reflections on the glass and silverware.

  5. step 05

    Carefully blend and layer colors to create smooth transitions and realistic textures.

  6. step 06

    Add details such as the nuts, the contents of the bowl, and the intricate patterns on the silver bowl.

  7. step 07

    Adjust the values and colors as needed to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to enhance the overall effect.

color palette

primary · raw umber · burnt umber · ivory black · titanium white

secondary · yellow ochre · payne's gray

Achieve the metallic sheen by mixing white with small amounts of black and umber, layering and glazing to build up highlights and shadows. Use thin glazes of umber and ochre to create the warm tones in the glass and table.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·value studies
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to accurately capture the subtle value changes.
  • →Creating harsh lines instead of smooth transitions.
  • →Not paying enough attention to the reflections and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·mahogany oil paint

Use high-quality oil paints for best results. A smooth canvas surface will help with blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne