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home·artworks·Still Life with Violin and Glass Ball
Still Life with Violin and Glass Ball by Pieter Claesz.

plate no. 0390

Still Life with Violin and Glass Ball

Pieter Claesz., 1628

oilBaroquestill lifeviolinskullglass ballbooksstill lifemusical instrument
experienced study

Recreating this painting will help students develop skills in rendering realistic textures and capturing subtle gradations of light and shadow. It also provides practice in accurately depicting reflective surfaces and complex forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the placement and proportions of the main objects.

  2. step 02

    Block in the background with a dark, neutral tone, paying attention to the subtle gradations of value.

  3. step 03

    Establish the basic shapes and values of the major objects, such as the violin, skull, and glass ball.

  4. step 04

    Begin refining the details of each object, focusing on accurate rendering of textures and forms.

  5. step 05

    Pay close attention to the highlights and shadows on the reflective surfaces, such as the glass ball and the violin's varnish.

  6. step 06

    Carefully blend the edges of the objects to create a sense of depth and atmosphere.

  7. step 07

    Add the smaller details, such as the strings of the violin, the details of the watch, and the texture of the books.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic image.

color palette

primary · ochre · raw umber · ivory black · titanium white

secondary · Prussian blue · burnt sienna · yellow ochre

Achieve the subtle variations in tone by mixing the primary colors with small amounts of the secondary colors. Use white to lighten the values and black to darken them. For the glass ball, mix blues and blacks with white to create the reflective highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·rendering reflective surfaces

common pitfalls

  • →Failing to accurately capture the proportions of the objects.
  • →Not paying enough attention to the subtle gradations of value.
  • →Overworking the details and losing the overall sense of form.
  • →Struggling to render the reflective surfaces realistically.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ochre, raw umber, ivory black, titanium white, Prussian blue, burnt sienna)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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