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home·artworks·Still Life with Thistle
Still Life with Thistle by Otto Marseus van Schrieck

plate no. 3476

Still Life with Thistle

Otto Marseus van Schrieck, 1662

oilBaroqueflower paintingflowersstill lifevaseleavesfruittable
experienced study

Recreating this painting will help students develop skills in rendering realistic floral forms, understanding light and shadow to create depth, and mixing subtle color variations to capture the nuances of natural objects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the vases and main floral groupings.

  2. step 02

    Establish the background with dark, muted tones, creating a sense of depth.

  3. step 03

    Block in the main colors of the flowers and leaves, paying attention to the overall color harmony.

  4. step 04

    Begin layering and blending colors to create the form and volume of each flower and leaf.

  5. step 05

    Add highlights and shadows to enhance the three-dimensionality of the objects.

  6. step 06

    Develop the details of the vases and the marble table, including the textures and patterns.

  7. step 07

    Refine the edges and details of the flowers and leaves, adding subtle color variations and highlights.

  8. step 08

    Add final glazes to unify the painting and enhance the overall depth and richness.

color palette

primary · crimson · ivory black · yellow ochre · titanium white

secondary · ultramarine blue · burnt umber · sap green

Achieve the muted tones by mixing complementary colors. Use white to lighten values and create highlights. Mix greens with yellow ochre and blue, adding touches of red for warmth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·color blending
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle color variations in the flowers and leaves.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·medium gel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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