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home·artworks·Still Life with Snakes, Frogs, Mushrooms, Flowers and Butterflies
Still Life with Snakes, Frogs, Mushrooms, Flowers and Butterflies by Otto Marseus van Schrieck

plate no. 2014

Still Life with Snakes, Frogs, Mushrooms, Flowers and Butterflies

Otto Marseus van Schrieck, 1662

oilBaroqueflower paintingsnakesfrogsmushroomsflowersbutterfliesinsects
experienced study

Recreating this painting will develop skills in rendering textures of various surfaces and understanding complex compositions with multiple focal points. Students will also learn to create depth using atmospheric perspective and subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark umber wash.

  2. step 02

    Lightly sketch the main shapes and composition, paying attention to the placement of the snake, frog, and flowers.

  3. step 03

    Block in the darkest values first, establishing the shadows and overall tonal range.

  4. step 04

    Start building up the mid-tones and highlights, focusing on the texture of the snake's scales and the frog's skin.

  5. step 05

    Carefully render the details of the flowers and mushrooms, paying attention to their form and color variations.

  6. step 06

    Add the butterflies and other insects, using thin glazes to create a sense of translucence.

  7. step 07

    Refine the background, creating a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · cadmium yellow · alizarin crimson · sap green

Achieve the earthy tones by mixing raw umber, burnt sienna, and ivory black with varying amounts of titanium white. Use yellow ochre and cadmium yellow for highlights on the mushrooms and butterflies. Mix alizarin crimson with burnt sienna for the red accents on the flowers.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows.
  • →Creating overly sharp edges, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

A smooth canvas surface will be best for blending and glazing techniques.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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