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home·artworks·Still-Life with Self-Portrait
Still-Life with Self-Portrait by Cornelis Norbertus Gysbrechts

plate no. 9048

Still-Life with Self-Portrait

Cornelis Norbertus Gysbrechts, 1663

oilBaroquestill lifestill lifegrapesfruitportraitpaintingpalette
experienced study

Recreating this painting will help students develop skills in rendering realistic textures and creating depth through subtle value changes. It also provides practice in composing a complex still life arrangement.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the composition, paying attention to the placement of the objects and the overall structure.

  2. step 02

    Block in the main shapes and values using thin washes of color, focusing on the dark background first.

  3. step 03

    Develop the local colors of the objects, starting with the grapes and fruit.

  4. step 04

    Add highlights and shadows to create form and dimension, paying attention to the light source.

  5. step 05

    Work on the details of the frame, palette, and other objects in the foreground.

  6. step 06

    Refine the textures and details of the grapes, fruit, and other objects, using layering and glazing techniques.

  7. step 07

    Add the small portrait and the pen.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic image.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · ultramarine blue

Achieve the muted tones by mixing the primary colors with each other and with white. Use thin glazes of burnt sienna and raw umber to create depth and warmth.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·value studies
  • ·chiaroscuro

common pitfalls

  • →Getting the values too dark too quickly.
  • →Overworking the details before establishing the overall form.
  • →Ignoring the subtle color variations in the shadows.
  • →Not paying attention to the reflected light.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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