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home·artworks·Still-Life with Porcelain and a Nautilus Cup
Still-Life with Porcelain and a Nautilus Cup by Willem Kalf

plate no. 4410

Still-Life with Porcelain and a Nautilus Cup

Willem Kalf, 1660

oilBaroquestill lifestill lifefruittablecupporcelaintextile
experienced study

Recreating this painting will help students develop skills in rendering reflective surfaces and creating depth through subtle value changes. It also provides practice in capturing the textures of various objects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, paying attention to proportions and placement.

  2. step 02

    Establish the dark background using a mix of dark browns and blacks.

  3. step 03

    Block in the main shapes of the objects with their local colors, focusing on the overall value structure.

  4. step 04

    Start building up the highlights and shadows on the reflective surfaces, such as the metal cup and glass.

  5. step 05

    Add details to the fruit, porcelain, and textile, paying attention to texture and patterns.

  6. step 06

    Refine the edges and details, creating a sense of depth and realism.

  7. step 07

    Add final highlights and glazes to enhance the luminosity of the painting.

  8. step 08

    Varnish the finished painting for protection and to enhance the colors.

color palette

primary · ivory black · burnt umber · yellow ochre · cadmium yellow

secondary · ultramarine blue · cadmium red · titanium white

Achieve the subtle gradations in the reflective surfaces by mixing small amounts of white, yellow, and blue into the dark base colors. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering reflective surfaces
  • ·underpainting

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Not paying enough attention to the subtle color variations in the reflective surfaces.
  • →Using colors straight from the tube without mixing them properly.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·retouch varnish
  • ·drying retarder
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will be easier for blending and glazing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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