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home·artworks·Still Life with Oysters
Still Life with Oysters by Pieter Claesz.

plate no. 3945

Still Life with Oysters

Pieter Claesz., 1633

oilBaroquestill lifestill lifeglassoysterslemonbreadtable
some experience helpful

Recreating this painting will help students develop skills in rendering reflective surfaces and creating realistic textures of various objects. It also provides practice in observing and reproducing subtle tonal variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, paying attention to proportions and placement.

  2. step 02

    Establish the background with a thin wash of warm browns and grays, creating a sense of depth.

  3. step 03

    Block in the main shapes of the objects with their local colors, focusing on the overall value structure.

  4. step 04

    Begin refining the shapes and adding details, such as the reflections on the glass and the textures of the oysters and bread.

  5. step 05

    Carefully build up the highlights and shadows, using layering and glazing techniques to create depth and luminosity.

  6. step 06

    Pay close attention to the edges of the objects, softening or hardening them as needed to create a sense of realism.

  7. step 07

    Add the final details, such as the small nuts and the texture of the tablecloth.

  8. step 08

    Glaze overall to unify the painting and adjust values as needed.

color palette

primary · raw umber · burnt umber · yellow ochre · ivory black

secondary · titanium white · cadmium yellow light · ultramarine blue

Achieve the subtle browns and grays by mixing raw umber, burnt umber, and ivory black with varying amounts of white. Use yellow ochre and cadmium yellow light to create the lemon and bread tones. Add small amounts of ultramarine blue to cool down the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·layering
  • ·chiaroscuro
  • ·rendering reflective surfaces

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the objects.
  • →Creating harsh edges that detract from the realism.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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