apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life with Herring, Wine and Bread
Still Life with Herring, Wine and Bread by Pieter Claesz.

plate no. 4865

Still Life with Herring, Wine and Bread

Pieter Claesz., 1644

oilBaroquestill lifestill lifefishbreadpitcherglasstable
some experience helpful

Recreating this painting will help students develop skills in rendering realistic textures and understanding subtle color variations within a limited palette. It also provides practice in arranging and depicting objects in a cohesive still life composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and arrangement of the objects, paying attention to their relative sizes and positions.

  2. step 02

    Establish the background color with a thin wash.

  3. step 03

    Block in the main color masses of each object, focusing on the overall value structure.

  4. step 04

    Begin refining the shapes and adding details, such as the texture of the bread and the scales of the fish.

  5. step 05

    Develop the highlights and shadows to create depth and volume.

  6. step 06

    Pay attention to the reflected light and subtle color shifts within each object.

  7. step 07

    Add the finer details, such as the reflections on the glass and the small objects on the table.

  8. step 08

    Glaze and adjust colors as needed to achieve the desired effect.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Achieve the various brown tones by mixing burnt umber, raw sienna, and ivory black in different proportions. Use white to lighten these mixtures and create highlights. Add small amounts of red and yellow to warm up the colors.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Ignoring the subtle color variations within each object.
  • →Creating harsh transitions between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a medium-grit canvas for better texture. Consider using a toned ground (e.g., raw umber) to simplify the initial stages.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne