apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life with Goblet, Silver Tureen and Bread
Still Life with Goblet, Silver Tureen and Bread by Pieter Claesz.

plate no. 4656

Still Life with Goblet, Silver Tureen and Bread

Pieter Claesz., 1637

oilBaroquestill lifestill lifeglasswarelemonbreadtablesilverware
some experience helpful

Recreating this painting will help students develop skills in rendering reflective surfaces, creating realistic textures, and understanding tonal values to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the objects on the canvas.

  2. step 02

    Establish the background color with a thin wash of warm neutral tones.

  3. step 03

    Block in the main shapes of each object with their local colors, focusing on accurate proportions.

  4. step 04

    Begin layering values to define the form and create highlights and shadows.

  5. step 05

    Pay close attention to the reflective surfaces of the glassware and silverware, capturing the subtle shifts in color and light.

  6. step 06

    Add details to the lemon and bread, focusing on texture and realistic rendering.

  7. step 07

    Refine the edges and details of each object, ensuring they blend seamlessly with the background.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and depth.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · ivory black · cadmium yellow light · burnt sienna

Achieve the subtle variations in color by mixing the primary colors with small amounts of secondary colors and white. Use glazes to create depth and luminosity in the reflective surfaces.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·rendering reflective surfaces

common pitfalls

  • →getting proportions wrong
  • →overworking the details too early
  • →failing to capture the subtle shifts in color and light on reflective surfaces
  • →not creating enough depth in the shadows

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt sienna oil paint
  • ·cadmium yellow light oil paint

Use high-quality oil paints for best results. Allow each layer to dry before applying the next to prevent colors from mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne