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home·artworks·Still Life with Globe, Lute, and Books
Still Life with Globe, Lute, and Books by Gerrit Dou

plate no. 1311

Still Life with Globe, Lute, and Books

Gerrit Dou, 1635

oil, panelBaroquestill lifebooksglobelutemusical instrumentstill lifetable
experienced study

Recreating this painting will help students develop skills in rendering realistic textures and creating subtle gradations of light and shadow. It also provides practice in accurately depicting complex forms and understanding how objects interact with light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the objects on the canvas.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin refining the shapes and forms of each object, paying close attention to their proportions and contours.

  4. step 04

    Gradually build up the layers of color, using subtle blending techniques to create smooth transitions.

  5. step 05

    Focus on rendering the textures of the books, lute, and globe, using small brushstrokes and varying the pressure.

  6. step 06

    Add highlights and shadows to create depth and dimension, paying attention to the direction of the light source.

  7. step 07

    Refine the details of each object, such as the bindings of the books and the strings of the lute.

  8. step 08

    Make final adjustments to the overall composition and value structure to create a cohesive and balanced painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · red oxide

Achieve the warm tones by mixing burnt umber with raw sienna and a touch of yellow ochre. Use ivory black and titanium white to create the dark and light values, and add small amounts of red oxide for subtle color variations.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Failing to accurately capture the proportions and shapes of the objects.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Not paying enough attention to the subtle gradations of light and shadow.
  • →Creating harsh transitions between values, resulting in a flat and unrealistic appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before starting to paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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