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home·artworks·Still-life with Flowers
Still-life with Flowers by Tobias Stranover

plate no. 7565

Still-life with Flowers

Tobias Stranover, 1700

oilBaroqueflower paintingflowersstill lifebirdvaseleavesdark background
some experience helpful

Recreating this painting will help students develop skills in layering, glazing, and creating realistic floral forms. It also provides practice in capturing subtle value changes to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark brown or black ground.

  2. step 02

    Lightly sketch the overall composition, focusing on the placement of the vase and major flower groupings.

  3. step 03

    Block in the main shapes of the flowers and leaves with basic color mixtures, paying attention to their relative values.

  4. step 04

    Begin layering and blending colors to create the form and volume of each flower petal and leaf.

  5. step 05

    Add highlights and shadows to enhance the three-dimensionality of the composition.

  6. step 06

    Paint the vase, capturing its reflective surface and subtle color variations.

  7. step 07

    Add details such as the bird and any small flowers or leaves.

  8. step 08

    Glaze with thin layers of color to unify the painting and create depth.

color palette

primary · titanium white · cadmium yellow · alizarin crimson · ultramarine blue

secondary · burnt umber · yellow ochre · sap green · ivory black

Achieve the muted tones by mixing complementary colors and adding small amounts of black or umber. Use glazes of alizarin crimson and burnt umber to create rich darks.

techniques

  • ·layering
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Losing the overall composition by focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

A pre-toned canvas will help establish the dark background and create a sense of depth from the start.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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