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home·artworks·Still Life with Flowers
Still Life with Flowers by Otto Marseus van Schrieck

plate no. 6542

Still Life with Flowers

Otto Marseus van Schrieck, 1678

oilBaroqueflower paintingflowersinsectslizardleavesgroundbutterflies
experienced study

Recreating this painting will help students develop skills in rendering realistic textures and subtle color gradations, as well as understanding the use of light and shadow to create depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the flowers, leaves, and insects.

  2. step 02

    Block in the background with dark, muted tones, establishing the overall value structure.

  3. step 03

    Begin layering in the local colors of the flowers and leaves, paying attention to variations in hue and saturation.

  4. step 04

    Add highlights and shadows to create form and dimension, using a combination of blending and glazing techniques.

  5. step 05

    Paint the lizard and insects, focusing on accurate proportions and realistic textures.

  6. step 06

    Refine the details of the foliage and ground, adding subtle variations in color and tone.

  7. step 07

    Glaze over the entire painting to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · burnt umber · ivory black · titanium white

secondary · cadmium red · sap green · ultramarine blue

Achieve the muted greens by mixing yellow ochre, sap green, and a touch of burnt umber. Create the flower colors by mixing cadmium red with white and a touch of yellow for highlights, and burnt umber for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color mixing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle variations in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A smooth canvas surface will be easier to blend on.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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