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home·artworks·Still Life with Fish, Candle, Artichokes, Crabs and Shrimp
Still Life with Fish, Candle, Artichokes, Crabs and Shrimp by Clara Peeters

plate no. 2419

Still Life with Fish, Candle, Artichokes, Crabs and Shrimp

Clara Peeters, 1611

oil, panelBaroquestill lifefishcrabsshrimpartichokecandletableware
experienced study

Recreating this painting will help students develop skills in rendering textures of various materials, such as metal, glass, and organic matter, as well as understanding subtle color variations in a limited palette. It also provides practice in creating a complex still life composition with overlapping forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the placement and proportions of the main objects.

  2. step 02

    Block in the background with a dark, neutral tone.

  3. step 03

    Establish the main light source and begin to define the shadows and highlights on each object.

  4. step 04

    Start with the largest shapes and gradually add details, working from general to specific.

  5. step 05

    Focus on accurately rendering the textures of the fish, crabs, artichoke, and metal objects.

  6. step 06

    Pay close attention to the subtle color variations within each object.

  7. step 07

    Refine the edges and details to create a sense of realism.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the composition.

color palette

primary · burnt umber · raw umber · ivory black · yellow ochre

secondary · cadmium yellow · titanium white · alizarin crimson

Achieve the metallic tones by mixing umbers with touches of yellow ochre and white. Use alizarin crimson to add warmth to the crabs and shrimp. Create subtle variations in the fish scales by layering thin glazes of different umber and ochre mixtures.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurately rendering the proportions of the objects.
  • →Ignoring the subtle color variations within each object.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette knife

optional

  • ·linseed oil
  • ·turpentine
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending and glazing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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