apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life with Drinking Vessels
Still Life with Drinking Vessels by Pieter Claesz.

plate no. 0551

Still Life with Drinking Vessels

Pieter Claesz., 1649

oilBaroquestill lifestill lifeglasswarefruittableclothmetalwarefood
experienced study

Recreating this painting will help students develop skills in rendering reflective surfaces and creating realistic textures. It also provides practice in composing a complex still life arrangement.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the objects, paying attention to proportions and perspective.

  2. step 02

    Establish the background color and general light source.

  3. step 03

    Block in the main colors of each object, focusing on the local color and value.

  4. step 04

    Begin to refine the shapes and values, adding highlights and shadows to create form.

  5. step 05

    Carefully render the reflective surfaces of the glassware and metalware, paying attention to the highlights and distortions.

  6. step 06

    Add details to the fruit, tablecloth, and other objects, focusing on texture and realism.

  7. step 07

    Refine the edges and details, creating a sense of depth and atmosphere.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve the subtle variations in the silver and glass by mixing ivory black, raw umber, and titanium white. Use glazes of burnt umber and yellow ochre to create the warm tones in the background and fruit.

techniques

  • ·glazing
  • ·scumbling
  • ·rendering reflective surfaces
  • ·chiaroscuro
  • ·trompe-l'oeil

common pitfalls

  • →Incorrect proportions of the objects.
  • →Failing to accurately capture the reflections in the glassware and metalware.
  • →Overworking the details and losing the overall sense of unity.
  • →Not establishing a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne