apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life with Crab, Shrimps and Lobster
Still Life with Crab, Shrimps and Lobster by Clara Peeters

plate no. 1467

Still Life with Crab, Shrimps and Lobster

Clara Peeters, 1640

oilBaroquestill lifestill lifeseafoodtablefoodlobstercrab
experienced study

Recreating this painting will help students develop skills in rendering textures of various objects and understanding complex lighting schemes in a dark environment. It also provides practice in creating realistic reflections and intricate details on metallic surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and composition of the objects.

  2. step 02

    Establish the dark background using a thin wash of dark umber or black.

  3. step 03

    Block in the main colors of each object, focusing on accurate value relationships.

  4. step 04

    Start building up layers of color and detail, paying close attention to highlights and shadows.

  5. step 05

    Work on the textures of the various foods, using techniques like dry brushing and stippling.

  6. step 06

    Carefully render the reflections on the metallic surfaces, using subtle gradations of color.

  7. step 07

    Add final details, such as the patterns on the tablecloth and the intricate designs on the silverware.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · ivory black · raw sienna

Achieve the various shades of brown and beige by mixing burnt umber, yellow ochre, and white. Use small amounts of red and blue to create subtle variations in color temperature. Mix black and white for the grays of the tablecloth.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·rendering reflections
  • ·trompe-l'oeil

common pitfalls

  • →Failing to establish accurate value relationships early on.
  • →Overworking the details before establishing the overall form.
  • →Ignoring the subtle color variations within each object.
  • →Not paying enough attention to the reflections on the metallic surfaces.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·selection of round and flat brushes (sizes #2, #4, #6)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the dark background.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne