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home·artworks·Still Life with Cherries and Strawberries in China Bowls
Still Life with Cherries and Strawberries in China Bowls by Osias Beert

plate no. 6786

Still Life with Cherries and Strawberries in China Bowls

Osias Beert, 1608

oilBaroquestill lifestill lifefruittableglasswarebowlsdark background
experienced study

Recreating this painting will help students develop skills in rendering realistic textures, capturing subtle color variations, and understanding complex lighting schemes. It also provides practice in creating depth and dimension through careful observation and layering.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, paying attention to proportions and placement.

  2. step 02

    Establish the dark background using thin layers of dark brown and black.

  3. step 03

    Block in the main areas of color for the table and objects, focusing on the overall value structure.

  4. step 04

    Begin layering and blending colors to create the form and volume of the objects, starting with the larger shapes.

  5. step 05

    Add details to the fruit, glassware, and other elements, paying attention to highlights and shadows.

  6. step 06

    Refine the edges and textures of the objects to create a sense of realism.

  7. step 07

    Add final highlights and details to enhance the overall effect.

  8. step 08

    Glaze with thin layers of color to unify the painting and create depth.

color palette

primary · burnt umber · ivory black · cadmium red light · yellow ochre

secondary · ultramarine blue · titanium white · raw sienna · alizarin crimson

Achieve the rich, dark tones by mixing burnt umber and ivory black. Create the fruit colors by blending cadmium red light with touches of yellow ochre and alizarin crimson. Use titanium white to create highlights and lighten colors.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·layering
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle color variations within the objects.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·dammar varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. A smooth canvas surface will be easier to blend on.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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