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home·artworks·Still Life with Cheeses, Artichoke, and Cherries
Still Life with Cheeses, Artichoke, and Cherries by Clara Peeters

plate no. 4454

Still Life with Cheeses, Artichoke, and Cherries

Clara Peeters, 1625

oil, panelBaroquestill lifecheeseartichokecherriesstill lifetablesilverware
experienced study

Recreating this painting will help students develop skills in rendering textures, particularly the varied surfaces of cheese, metal, and fruit, as well as understanding subtle value shifts to create form and depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and composition.

  2. step 02

    Establish the background color with a thin wash.

  3. step 03

    Block in the main shapes of the cheese, artichoke, and other objects with their local colors.

  4. step 04

    Develop the values within each object, paying attention to light and shadow.

  5. step 05

    Add details such as the texture of the cheese rinds, the leaves of the artichoke, and the highlights on the silverware.

  6. step 06

    Refine the edges of the objects and create smooth transitions between values.

  7. step 07

    Add the cherries and other small details.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · yellow ochre · burnt umber · titanium white · ivory black

secondary · cadmium red · ultramarine blue · viridian green

Achieve the cheese colors by mixing yellow ochre, burnt umber, and white in varying proportions. Use ultramarine blue and white for the blue plate. Mix cadmium red with a touch of brown for the cherries.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Inaccurate color mixing.
  • →Ignoring the subtle variations in texture.
  • →Not paying enough attention to reflected light.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, burnt umber, titanium white, ivory black, cadmium red, ultramarine blue, viridian green)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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