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home·artworks·Still Life with Carnations 1682
Still Life with Carnations 1682 by Willem van Aelst

plate no. 2576

Still Life with Carnations 1682

Willem van Aelst, 1682

oilBaroqueflower paintingflowersbutterfliesfrogssnailleavestree trunk
some experience helpful

Recreating this painting will help students develop skills in rendering textures, particularly the subtle variations in light and shadow on organic forms, and in creating depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the flowers, leaves, frogs, and tree trunk.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main colors of the flowers, leaves, and frogs, focusing on the overall value structure.

  4. step 04

    Start building up layers of color, paying attention to the subtle variations in hue and value within each element.

  5. step 05

    Add details to the flowers, such as the delicate petals and stamen.

  6. step 06

    Refine the forms of the frogs and snail, adding highlights and shadows to create a sense of volume.

  7. step 07

    Paint the butterflies and moths, paying attention to the intricate patterns on their wings.

  8. step 08

    Add final glazes to unify the painting and create a sense of atmosphere.

color palette

primary · ivory black · burnt umber · cadmium red light · titanium white

secondary · sap green · yellow ochre · ultramarine blue

Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the pinks and reds of the carnations by mixing cadmium red light with titanium white, and adjust the tone with a touch of burnt umber.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated and bright.
  • →Ignoring the subtle variations in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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