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home·artworks·Still Life with Asian Objects
Still Life with Asian Objects by Julius LeBlanc Stewart

plate no. 2229

Still Life with Asian Objects

Julius LeBlanc Stewart

oil, panelRealismstill lifestill lifedollvasefabricflowersplant
some experience helpful

Recreating this painting will help students develop skills in depicting textures with visible brushstrokes and creating depth through layering and color variations. It also provides practice in capturing the nuances of light and shadow in a complex still life arrangement.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on proportions and placement.

  2. step 02

    Establish the dark background areas with thin washes of dark brown and green.

  3. step 03

    Block in the main colors of the fabric, doll, and vase, using broad strokes.

  4. step 04

    Begin layering colors and adding details to the fabric, focusing on the folds and highlights.

  5. step 05

    Develop the form of the doll and vase, paying attention to the light and shadow.

  6. step 06

    Add details to the flowers and other small objects, using smaller brushes.

  7. step 07

    Refine the background and adjust the overall color balance.

  8. step 08

    Add final highlights and details to create a sense of depth and realism.

color palette

primary · red · yellow ochre · ivory black · titanium white

secondary · ultramarine blue · burnt umber · sap green

Mix various shades of red by combining red with burnt umber for darker tones and white for lighter highlights. Achieve the yellow fabric color by mixing yellow ochre with white and small amounts of burnt umber for shadows.

techniques

  • ·alla prima
  • ·scumbling
  • ·broken color
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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