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home·artworks·Still Life with a Turkey Pie
Still Life with a Turkey Pie by Pieter Claesz.

plate no. 3795

Still Life with a Turkey Pie

Pieter Claesz., 1627

oilBaroquestill lifestill lifefoodtableturkeysilverwarefruit
experienced study

Recreating this painting will help students develop skills in rendering textures, particularly the sheen of metal and the varied surfaces of food. It will also improve their understanding of light and shadow to create depth and realism.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes and composition.

  2. step 02

    Establish the background with dark, muted tones.

  3. step 03

    Block in the main objects (turkey, pie, silverware, etc.) with their basic colors.

  4. step 04

    Develop the highlights and shadows on each object to create form.

  5. step 05

    Pay close attention to the reflections on the silverware, using layers of light and dark tones.

  6. step 06

    Add details to the food, such as the crust of the pie and the texture of the oysters.

  7. step 07

    Refine the drapery of the tablecloth, paying attention to folds and highlights.

  8. step 08

    Add final details and glazes to unify the painting and enhance the realism.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium yellow · ultramarine blue · alizarin crimson

Achieve the metallic sheen by layering thin glazes of black and white, and mixing small amounts of blue and yellow into the white to create cooler highlights. Use burnt umber and raw sienna mixed with white for the warm tones of the food.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering reflective surfaces
  • ·layering

common pitfalls

  • →Getting the proportions of the objects wrong in the initial sketch.
  • →Overworking the details too early in the painting process.
  • →Failing to capture the subtle variations in light and shadow.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for the best results. A smooth canvas surface will be easier to work with for the fine details.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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