apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life with a Pilgrim Flask, Candlestick, Porcelain Vase and Fruit
Still Life with a Pilgrim Flask, Candlestick, Porcelain Vase and Fruit by Willem Kalf

plate no. 6108

Still Life with a Pilgrim Flask, Candlestick, Porcelain Vase and Fruit

Willem Kalf

oilBaroquestill lifestill lifefruitvasemetalworkglasswarecandle
experienced study

Recreating this painting will help students develop skills in rendering reflective surfaces and creating depth through subtle value changes. It also provides practice in depicting complex forms and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light charcoal sketch to map out the composition and placement of objects.

  2. step 02

    Establish the dark background using a thin wash of dark umber and black.

  3. step 03

    Block in the main shapes of each object with their local color, focusing on accurate proportions.

  4. step 04

    Start layering values, beginning with the darkest shadows and gradually working towards the highlights.

  5. step 05

    Pay close attention to the reflective surfaces of the metal and glass, capturing the highlights and distortions.

  6. step 06

    Add details to the fruit, vase, and other objects, refining their shapes and textures.

  7. step 07

    Glaze thin layers of color to create depth and luminosity in the shadows.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ivory black · raw umber · burnt umber · yellow ochre

secondary · cadmium yellow · cadmium red · cerulean blue

Achieve the metallic sheen by layering dark umber and black with highlights of yellow ochre and white. Mix blues and whites for the vase. Create the fruit tones with reds, yellows, and browns, adding white for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering reflective surfaces
  • ·underpainting

common pitfalls

  • →Failing to accurately capture the proportions of the objects.
  • →Overworking the details too early in the painting process.
  • →Not creating enough contrast between the light and dark areas.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·charcoal

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne