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home·artworks·Still Life with a Brass Kettle
Still Life with a Brass Kettle by Emil Carlsen

plate no. 9968

Still Life with a Brass Kettle

Emil Carlsen, 1904

oilRealismstill lifestill lifekettlebottleonionspottable
some experience helpful

Recreating this painting will help students develop skills in rendering metallic surfaces and capturing subtle tonal variations in dark environments. It also provides practice in creating depth and form through careful observation of light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, paying attention to proportions and placement.

  2. step 02

    Establish the darkest areas of the background and the bottle with a thin wash of dark color.

  3. step 03

    Block in the main shapes of the kettle and green pot with their basic colors.

  4. step 04

    Begin layering colors on the kettle to create the metallic effect, focusing on highlights and reflections.

  5. step 05

    Refine the shapes and values of the onions, paying attention to their individual forms and shadows.

  6. step 06

    Add details to the green pot, including the handle and variations in color.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · burnt umber · ivory black · titanium white

secondary · viridian green · cadmium yellow · raw sienna

Achieve the metallic sheen of the kettle by layering yellow ochre, burnt umber, and touches of cadmium yellow. Mix subtle variations of green for the pot by combining viridian green with white and touches of yellow ochre. Create depth in the dark areas by mixing burnt umber and ivory black.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Overworking the metallic surface of the kettle, resulting in a flat, unrealistic appearance.
  • →Failing to capture the subtle tonal variations in the dark background, leading to a lack of depth.
  • →Ignoring the individual forms and shadows of the onions, making them appear flat and uniform.
  • →Using colors straight from the tube without mixing, resulting in a lack of harmony and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (yellow ochre, burnt umber, ivory black, titanium white, viridian green, cadmium yellow, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·drying retarder
  • ·damar varnish
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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oil painting for beginners →how to learn by studying the masters →
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