apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still life Plums
Still life Plums by Zakar Zakarian

plate no. 8947

Still life Plums

Zakar Zakarian, 1900

oil, canvasRealismstill lifefruitplumsbasketstill lifetable
some experience helpful

Recreating this painting will help students develop skills in layering paint to create depth and form, as well as understanding how to depict reflected light and subtle color variations in a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the plums and the basket, paying attention to their arrangement and proportions.

  2. step 02

    Establish the background with a dark, warm tone, allowing for variations in value to suggest depth.

  3. step 03

    Block in the main colors of the plums, using a mix of greens, yellows, and browns, and create a base layer for the basket.

  4. step 04

    Begin layering paint on the plums to define their form and create highlights and shadows, focusing on the reflected light.

  5. step 05

    Add details to the basket, using short, broken brushstrokes to suggest the texture of the woven material.

  6. step 06

    Paint the plums on the table, paying attention to their color and shape.

  7. step 07

    Refine the highlights and shadows on all elements to enhance the sense of realism.

  8. step 08

    Add final details and adjust the overall composition as needed.

color palette

primary · burnt umber · yellow ochre · sap green

secondary · cadmium red · titanium white

Achieve the plum colors by mixing greens and yellows with touches of brown and red. Use white to create highlights and lighten the overall tones.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle variations in color and tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a canvas with a smooth texture to allow for easy blending. Consider using a medium to improve the flow of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy