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home·artworks·Still Life Glass, Silver Goblet and Cup of Champagn
Still Life Glass, Silver Goblet and Cup of Champagn by Henri Fantin-Latour

plate no. 3096

Still Life Glass, Silver Goblet and Cup of Champagn

Henri Fantin-Latour, 1871

oil, canvasRealismstill lifestill lifeglasssilvercuptablereflection
some experience helpful

Recreating this painting will help students develop skills in rendering reflective surfaces and understanding subtle variations in tone and color to create form. It also provides practice in creating a convincing sense of depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the objects on the canvas.

  2. step 02

    Establish the background colors and values, working from dark to light.

  3. step 03

    Block in the main shapes of the glass, silver goblet, and cup with their local colors.

  4. step 04

    Begin to add highlights and shadows to define the forms and create a sense of volume.

  5. step 05

    Carefully observe and paint the reflections on the table surface.

  6. step 06

    Refine the details of the objects, paying attention to edges and textures.

  7. step 07

    Add the subtle color variations and atmospheric effects to unify the painting.

  8. step 08

    Make final adjustments to the values and colors to achieve a harmonious composition.

color palette

primary · burnt umber · titanium white · ivory black

secondary · yellow ochre · ultramarine blue · cadmium red

Achieve the subtle tones by mixing small amounts of complementary colors. Use white to create highlights and black to deepen shadows. The reflective surfaces require careful observation and mixing of colors from the surrounding environment.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Failing to accurately capture the proportions and shapes of the objects.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Ignoring the subtle color variations and atmospheric effects.
  • →Creating harsh edges and losing the sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for blending.

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oil painting for beginners →how to learn by studying the masters →
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