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home·artworks·Still Life. Food, Glasses and a Jug on a Table
Still Life. Food, Glasses and a Jug on a Table by Pieter Claesz.

plate no. 3913

Still Life. Food, Glasses and a Jug on a Table

Pieter Claesz., 1640

oilBaroquestill lifestill lifecrabfruittableclothglasswaremetalware
experienced study

Recreating this painting will help students develop skills in rendering realistic textures, such as the sheen of metal and the folds of fabric, as well as understanding complex lighting and shadow patterns.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to the placement and proportions of each object.

  2. step 02

    Block in the main shapes and colors of the background and tablecloth, establishing the overall value structure.

  3. step 03

    Begin painting the larger objects (crab, pitcher, bread), focusing on their basic forms and colors.

  4. step 04

    Gradually build up layers of color and detail, refining the shapes and adding highlights and shadows.

  5. step 05

    Pay close attention to the reflective surfaces of the glassware and metalware, capturing the subtle variations in light and color.

  6. step 06

    Add the smaller details, such as the fruit, leaves, and butterfly, to complete the composition.

  7. step 07

    Refine the edges and details, ensuring that all the elements are harmoniously integrated.

  8. step 08

    Add final glazes to enhance the depth and richness of the colors.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · cadmium red light · ultramarine blue · burnt sienna

Mix various shades of gray and brown by combining ivory black, raw umber, and white. Use small amounts of cadmium red and ultramarine blue to create subtle color variations in the shadows and highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering reflective surfaces
  • ·underpainting

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Inaccurately rendering the reflective surfaces of the glassware and metalware.
  • →Ignoring the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, raw umber, yellow ochre, titanium white, cadmium red light, ultramarine blue, burnt sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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