apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Still Life
Still Life by Pieter Claesz.

plate no. 2869

Still Life

Pieter Claesz., 1647

oilBaroquestill lifestill lifefoodtableclothwine glassfruitsilverware
some experience helpful

Recreating this painting will help students develop skills in rendering textures, light and shadow, and creating a sense of depth through layering and glazing. It will also improve their understanding of composition and how to arrange objects in a pleasing and balanced way.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to proportions and placement.

  2. step 02

    Establish the background with a thin wash of browns and earth tones.

  3. step 03

    Block in the main objects (wine glass, pie, fruit, tablecloth) with their basic colors and values.

  4. step 04

    Begin layering and blending colors to create form and volume.

  5. step 05

    Add details to the objects, such as highlights, shadows, and textures.

  6. step 06

    Refine the edges and contours of the objects to create a sense of realism.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and create depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ivory black · cadmium red light

Achieve the subtle variations in color by mixing the primary colors with small amounts of the secondary colors. Use glazes of thinned paint to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Not paying attention to the values and proportions of the objects.
  • →Using too much paint and creating a muddy effect.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, yellow ochre, ivory black, cadmium red light)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne