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home·artworks·St. Thomas of Villanueva Distributing Alms
St. Thomas of Villanueva Distributing Alms by Bartolomé Esteban Murillo

plate no. 8112

St. Thomas of Villanueva Distributing Alms

Bartolomé Esteban Murillo, 1668

oil, canvasBaroquereligious paintingfiguresbuildingskyrobesarchitecturecrowd
some experience helpful

This painting provides an opportunity to practice chiaroscuro and rendering figures in dramatic lighting. Students can learn to create depth using atmospheric perspective and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and architectural elements.

  2. step 02

    Establish the dark background and shadows using a thin wash of burnt umber and black.

  3. step 03

    Block in the main figures with mid-tone values, focusing on accurate proportions.

  4. step 04

    Start building up the highlights on the figures, especially on the faces and hands.

  5. step 05

    Develop the architectural details in the background, using lighter values for distant elements.

  6. step 06

    Refine the folds and textures of the robes and clothing.

  7. step 07

    Add subtle color variations to the skin tones and fabrics.

  8. step 08

    Apply final highlights and details to create a sense of depth and realism.

color palette

primary · burnt umber · ivory black · titanium white · yellow ochre

secondary · raw sienna · cadmium red light · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, ivory black, and titanium white. Use yellow ochre and cadmium red light sparingly to add warmth to the skin tones. Add ultramarine blue to darken shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, ivory black, titanium white, yellow ochre)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a high-quality canvas primed with gesso. Experiment with different brush sizes and types to achieve various textures.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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