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home·artworks·St. Thomas, also called Saint with a Pike
St. Thomas, also called Saint with a Pike by Georges de la Tour

plate no. 6031

St. Thomas, also called Saint with a Pike

Georges de la Tour, 1630

oil, canvasTenebrismreligious paintingfiguremanbookpikereligious
some experience helpful

Recreating this painting will help students understand dramatic lighting techniques and how to model form using value changes. It also provides practice in rendering realistic skin tones and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Block in the main areas of light and shadow using thin washes of color.

  3. step 03

    Establish the darkest darks and lightest lights to create a strong value structure.

  4. step 04

    Begin layering colors to build up the skin tones, paying attention to subtle shifts in hue.

  5. step 05

    Refine the details of the face, hands, book, and pike, adding texture and definition.

  6. step 06

    Develop the drapery of the robe, focusing on the folds and shadows.

  7. step 07

    Adjust the overall color harmony and value relationships.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · yellow ochre

Mix skin tones using white, raw umber, and a touch of burnt sienna. Achieve the dark background by mixing ivory black with a hint of raw umber. The blue robe is created with ultramarine blue and ivory black.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →how to learn by studying the masters →
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