
plate no. 6031
Georges de la Tour, 1630
Recreating this painting will help students understand dramatic lighting techniques and how to model form using value changes. It also provides practice in rendering realistic skin tones and textures.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure and objects.
Block in the main areas of light and shadow using thin washes of color.
Establish the darkest darks and lightest lights to create a strong value structure.
Begin layering colors to build up the skin tones, paying attention to subtle shifts in hue.
Refine the details of the face, hands, book, and pike, adding texture and definition.
Develop the drapery of the robe, focusing on the folds and shadows.
Adjust the overall color harmony and value relationships.
Add final highlights and details to complete the painting.
color palette
primary · ivory black · raw umber · titanium white · ultramarine blue
secondary · burnt sienna · yellow ochre
Mix skin tones using white, raw umber, and a touch of burnt sienna. Achieve the dark background by mixing ivory black with a hint of raw umber. The blue robe is created with ultramarine blue and ivory black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.
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