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home·artworks·St. Simon
St. Simon by Jusepe de Ribera

plate no. 3483

St. Simon

Jusepe de Ribera, 1630

oil, canvasTenebrismreligious paintingfigurereligious figurebookdraperybeardhalo
some experience helpful

Recreating this painting will help students develop skills in chiaroscuro and portraiture, focusing on rendering realistic skin tones and textures with a limited palette. Students will also learn to create depth and form through subtle value changes and blending.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and placement of the figure and key elements.

  2. step 02

    Establish the dark background using a thin wash of burnt umber and black.

  3. step 03

    Block in the main areas of color for the figure's clothing and skin, using a limited palette of earth tones.

  4. step 04

    Begin to build up the highlights and shadows on the face, paying close attention to the bone structure and muscle definition.

  5. step 05

    Refine the details of the clothing, adding folds and creases to create a sense of volume.

  6. step 06

    Paint the book and staff, focusing on their textures and forms.

  7. step 07

    Add the halo with a light, transparent wash of yellow ochre.

  8. step 08

    Glaze and refine the painting, adjusting values and colors as needed to achieve the desired effect.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre

Achieve the skin tones by mixing white with small amounts of burnt umber, raw sienna, and cadmium red light. Use glazes of burnt umber and black to create shadows and depth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·portraiture
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the overall tonal harmony.
  • →Not blending the transitions between light and shadow smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a toned canvas to help establish the overall value range.

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related guides

oil painting for beginners →how to learn by studying the masters →
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