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home·artworks·St. Sauves
St. Sauves by Henrique Pousao

plate no. 8841

St. Sauves

Henrique Pousao, 1881

oilRealismlandscapelandscapebuildingsfieldskycloudstrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering colors to create depth and texture in a landscape. It also provides practice in capturing the subtle light variations in a cloudy sky.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, horizon line, and major cloud formations.

  2. step 02

    Establish the dark values in the landscape and sky using a thin wash of dark brown or blue.

  3. step 03

    Block in the main colors of the sky, using yellows and oranges for the sunset and blues and grays for the clouds.

  4. step 04

    Add the base colors for the field, using a mix of greens, browns, and yellows.

  5. step 05

    Paint the buildings, paying attention to the light and shadow on their surfaces.

  6. step 06

    Develop the texture of the field with short, broken brushstrokes, layering different colors to create depth.

  7. step 07

    Refine the details in the sky, adding highlights and shadows to the clouds to create a sense of volume.

  8. step 08

    Add final touches and highlights to the buildings and foliage.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · cadmium yellow · raw sienna

Mix blues and yellows to create various greens for the field. Use white to lighten colors and create highlights. Mix burnt umber with blue to create dark shadows.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details in the field, resulting in a flat and lifeless appearance.
  • →Failing to create enough contrast between the light and shadow areas, making the painting look dull.
  • →Using colors that are too saturated, resulting in a painting that looks unnatural.
  • →Not paying attention to the atmospheric perspective, making the background appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish
  • ·gloves

A medium-textured canvas is recommended for capturing the brushstrokes. Use a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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