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home·artworks·St Rumbold Blesses St Libertus
St Rumbold Blesses St Libertus by Jan Cossiers

plate no. 5283

St Rumbold Blesses St Libertus

Jan Cossiers, 1660

panelBaroquereligious paintingfiguresangelsreligious scenelandscapearmorrobes
experienced study

Recreating this painting will help students develop skills in rendering complex drapery, creating atmospheric perspective in landscapes, and understanding the use of chiaroscuro to model forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and the landscape elements.

  2. step 02

    Establish the main light source and block in the shadows and highlights with thin washes of color.

  3. step 03

    Begin building up the forms of the figures, focusing on accurate proportions and anatomy.

  4. step 04

    Develop the drapery, paying close attention to the folds and highlights to create a sense of volume and texture.

  5. step 05

    Paint the landscape background, using atmospheric perspective to create depth.

  6. step 06

    Add details to the figures, such as facial features, armor, and the intricate patterns on the robes.

  7. step 07

    Refine the lighting and shadows, adding highlights and deepening the shadows to create a sense of drama.

  8. step 08

    Add final details and glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · yellow ochre · titanium white · red oxide

secondary · ultramarine blue · ivory black · cadmium yellow light

Achieve the warm skin tones by mixing yellow ochre, red oxide, and titanium white. Create the rich colors of the robes by layering glazes of red oxide and burnt umber. Mix ultramarine blue and ivory black for the shadows.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering drapery
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Inaccurate proportions of the figures.
  • →Not creating enough depth in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, titanium white, red oxide, ultramarine blue, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

chiaroscuro →how to learn by studying the masters →
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