apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. Romanus and St. Barulas of Antioch
St. Romanus and St. Barulas of Antioch by Francisco de Zurbaran

plate no. 5308

St. Romanus and St. Barulas of Antioch

Francisco de Zurbaran, 1638

oil, canvasBaroquereligious paintingfiguresreligiousbooklandscapeskyportraits
experienced study

Recreating this painting will help students develop skills in portraiture, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in depicting textures and details in clothing and objects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background landscape, paying attention to atmospheric perspective.

  4. step 04

    Begin working on the figures, starting with the larger forms and gradually adding details.

  5. step 05

    Focus on accurately rendering the facial features and expressions of the figures.

  6. step 06

    Add details to the clothing and objects, such as the book and the portraits.

  7. step 07

    Refine the lighting and shadows to create a sense of depth and volume.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · ivory black · titanium white · yellow ochre

secondary · cadmium red · ultramarine blue · raw sienna

Achieve the dark, rich tones by mixing burnt umber and ivory black. Use yellow ochre and titanium white for highlights. Mix ultramarine blue and titanium white for the sky.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying enough attention to the lighting and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·oil paints (burnt umber, ivory black, titanium white, yellow ochre, cadmium red, ultramarine blue, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne