
plate no. 2551
Georges de la Tour, 1620
Recreating this painting will help students develop skills in chiaroscuro and portraiture, focusing on rendering textures like hair and fabric with limited color variations.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure and staff.
Establish the dark background with a thin layer of dark brown or black.
Block in the main shapes of the figure: cloak, shirt, and face, using mid-tones.
Start building up the highlights on the face, beard, and hands, using lighter shades of brown and white.
Define the folds and shadows in the cloak and shirt, paying attention to the direction of light.
Add details to the staff, including the texture of the wood and the cloth tied around it.
Refine the facial features and hair, using small brushstrokes to create texture and detail.
Add final highlights and shadows to enhance the sense of depth and realism.
color palette
primary · burnt umber · raw umber · titanium white · cadmium red
secondary · yellow ochre · ivory black
Achieve the skin tones by mixing burnt umber, raw umber, and titanium white. Use yellow ochre to add warmth. Darken shadows with ivory black. Mix cadmium red with burnt umber for the shirt.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth texture to facilitate blending. Consider using a medium to increase the transparency of the paint and create glazes.
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