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home·artworks·St. Philippe
St. Philippe by Georges de la Tour

plate no. 2551

St. Philippe

Georges de la Tour, 1620

oil, canvasTenebrismreligious paintingfiguresaintbeardstaffreligiousportrait
some experience helpful

Recreating this painting will help students develop skills in chiaroscuro and portraiture, focusing on rendering textures like hair and fabric with limited color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and staff.

  2. step 02

    Establish the dark background with a thin layer of dark brown or black.

  3. step 03

    Block in the main shapes of the figure: cloak, shirt, and face, using mid-tones.

  4. step 04

    Start building up the highlights on the face, beard, and hands, using lighter shades of brown and white.

  5. step 05

    Define the folds and shadows in the cloak and shirt, paying attention to the direction of light.

  6. step 06

    Add details to the staff, including the texture of the wood and the cloth tied around it.

  7. step 07

    Refine the facial features and hair, using small brushstrokes to create texture and detail.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · raw umber · titanium white · cadmium red

secondary · yellow ochre · ivory black

Achieve the skin tones by mixing burnt umber, raw umber, and titanium white. Use yellow ochre to add warmth. Darken shadows with ivory black. Mix cadmium red with burnt umber for the shirt.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·portraiture

common pitfalls

  • →Over-blending, which can flatten the image.
  • →Incorrect proportions in the initial sketch.
  • →Failing to create enough contrast between light and shadow.
  • →Using too much detail too early in the painting process.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw umber, titanium white, cadmium red, ivory black, yellow ochre)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a canvas with a smooth texture to facilitate blending. Consider using a medium to increase the transparency of the paint and create glazes.

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oil painting for beginners →how to learn by studying the masters →
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