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home·artworks·St. Paul
St. Paul by Nicolas Tournier

plate no. 9280

St. Paul

Nicolas Tournier, 1626

oil, canvasTenebrismreligious paintingfigureportraitsaintbeardswordrobe
some experience helpful

Recreating this painting will help students develop skills in chiaroscuro and portraiture, specifically how to model forms using subtle gradations of light and shadow. It also provides practice in rendering realistic textures like fabric and hair.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the main areas of color: background, skin tones, clothing, and drapery.

  3. step 03

    Establish the darkest shadows and lightest highlights to define the overall value structure.

  4. step 04

    Begin layering and blending colors to create smooth transitions and realistic skin tones.

  5. step 05

    Pay close attention to the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Refine the drapery folds and add subtle highlights to create a sense of depth.

  7. step 07

    Add details to the sword and the paper, paying attention to their textures.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the focal point is clear.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · titanium white · yellow ochre · cadmium red

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. Use raw umber and black for the dark areas, gradually lightening with white for highlights. Mix burnt sienna and raw umber for the robe.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·portraiture
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle gradations of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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oil painting for beginners →how to learn by studying the masters →
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