
plate no. 3474
Georges de la Tour, 1620
Recreating this painting will help students understand dramatic lighting and shadow, as well as how to render textures like skin, fabric, and hair using subtle color variations. It also provides practice in creating a focal point through light and composition.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, the letter, and the main light source.
Establish the dark background using a thin wash of dark brown.
Block in the main shapes of the figure with mid-tone browns and grays.
Begin building up the light areas on the face, hands, and letter, using lighter shades of browns, grays, and whites.
Refine the details of the face, paying close attention to the shadows and highlights.
Add the details of the beard and hair, using small brushstrokes to create texture.
Paint the robe, focusing on the folds and shadows.
Add final highlights and details to the letter and hands.
color palette
primary · burnt umber · raw umber · titanium white · yellow ochre
secondary · cadmium red · ivory black · ultramarine blue
Mix various shades of brown and gray by combining burnt umber, raw umber, ivory black, and titanium white. Use small amounts of cadmium red and ultramarine blue to create subtle variations in the skin tones and robe.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a toned canvas to start with a mid-tone ground.
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