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home·artworks·St. Paul
St. Paul by Georges de la Tour

plate no. 3474

St. Paul

Georges de la Tour, 1620

oil, canvasTenebrismreligious paintingfiguremanbeardrobeletterreligious
some experience helpful

Recreating this painting will help students understand dramatic lighting and shadow, as well as how to render textures like skin, fabric, and hair using subtle color variations. It also provides practice in creating a focal point through light and composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, the letter, and the main light source.

  2. step 02

    Establish the dark background using a thin wash of dark brown.

  3. step 03

    Block in the main shapes of the figure with mid-tone browns and grays.

  4. step 04

    Begin building up the light areas on the face, hands, and letter, using lighter shades of browns, grays, and whites.

  5. step 05

    Refine the details of the face, paying close attention to the shadows and highlights.

  6. step 06

    Add the details of the beard and hair, using small brushstrokes to create texture.

  7. step 07

    Paint the robe, focusing on the folds and shadows.

  8. step 08

    Add final highlights and details to the letter and hands.

color palette

primary · burnt umber · raw umber · titanium white · yellow ochre

secondary · cadmium red · ivory black · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, raw umber, ivory black, and titanium white. Use small amounts of cadmium red and ultramarine blue to create subtle variations in the skin tones and robe.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of light and shadow.
  • →Using colors that are too saturated.
  • →Losing the overall composition by focusing too much on individual details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to start with a mid-tone ground.

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related guides

oil painting for beginners →how to learn by studying the masters →
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