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home·artworks·St. Paul at Malta
St. Paul at Malta by Adam Elsheimer

plate no. 6360

St. Paul at Malta

Adam Elsheimer, 1600

oilBaroquereligious paintingfigureslandscapefireoceanskytrees
experienced study

Recreating this painting will help students develop skills in rendering figures in dynamic poses and creating atmospheric perspective with a limited color palette. It also provides practice in depicting the effects of light and shadow in a nighttime scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and landscape elements.

  2. step 02

    Block in the large areas of dark and light, focusing on the overall value structure.

  3. step 03

    Develop the sky and ocean, paying attention to the subtle gradations of tone.

  4. step 04

    Start adding details to the figures, working from general shapes to more specific forms.

  5. step 05

    Define the landscape elements, such as trees and rocks, using a variety of brushstrokes.

  6. step 06

    Add the fire and its reflected light on the figures and surrounding area.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the drama and realism of the scene.

color palette

primary · ivory black · raw umber · titanium white

secondary · burnt sienna · yellow ochre · ultramarine blue

Achieve the dark, muted tones by mixing black with umber and small amounts of blue. Use white to create highlights and lighter areas, and add touches of sienna and ochre for warmth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much bright color, which can detract from the overall mood.
  • →Ignoring the subtle gradations of tone in the sky and ocean.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A toned canvas can help to establish the dark, muted tones of the painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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