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home·artworks·St. Matthew with the angel
St. Matthew with the angel by Jusepe de Ribera

plate no. 4097

St. Matthew with the angel

Jusepe de Ribera, 1613

oil, canvasTenebrismreligious paintingfiguremanbookangelwritingreligious
experienced study

Recreating this painting will help students understand dramatic lighting (tenebrism) and how to model forms using strong value contrasts. It also provides practice in rendering realistic skin tones and textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark umber wash.

  2. step 02

    Lightly sketch the main figures and composition, focusing on proportions.

  3. step 03

    Block in the darkest areas with a mix of umber and black.

  4. step 04

    Establish the main light source and begin layering in lighter tones on the figures, starting with mid-tones.

  5. step 05

    Carefully blend the transitions between light and shadow to create a sense of volume.

  6. step 06

    Add details to the face, hands, and book, paying attention to wrinkles and textures.

  7. step 07

    Refine the highlights and shadows to enhance the dramatic effect.

  8. step 08

    Add final details like the quill and subtle color variations.

color palette

primary · burnt umber · raw umber · titanium white · cadmium red

secondary · yellow ochre · ivory black

Achieve skin tones by mixing white, red, and umber in varying proportions. Use yellow ochre to warm the highlights. Create dark shadows by mixing umber and black.

techniques

  • ·tenebrism
  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Over-blending, which can flatten the forms.
  • →Not establishing a strong enough value contrast.
  • →Getting the proportions of the figures wrong.
  • →Ignoring subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·retouch varnish

A pre-toned canvas will save time and help establish the dark background. Use high-quality oil paints for best results.

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oil painting for beginners →how to learn by studying the masters →
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