
plate no. 9014
Frans Hals, 1625
Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and textures, as well as understanding chiaroscuro to create dramatic lighting effects.
technical profile
approach — 8 steps
Create a preliminary sketch to establish the composition and proportions of the figures and the book.
Block in the main shapes and values using thin washes of color, focusing on the overall light and shadow patterns.
Begin building up the skin tones with layers of warm and cool colors, paying attention to the subtle variations in value.
Develop the details of the beard and hair, using a variety of brushstrokes to create texture and depth.
Refine the details of the book, including the pages and binding, using precise brushwork.
Adjust the overall values and contrast to create a sense of drama and depth.
Add final highlights and details to bring the painting to life.
Let dry and varnish.
color palette
primary · burnt umber · raw sienna · titanium white · yellow ochre
secondary · ivory black · cadmium red light · ultramarine blue
Achieve the warm skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of cadmium red light for warmth. Use ivory black and ultramarine blue to create cool shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne