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home·artworks·St. Matthew and the angel
St. Matthew and the angel by Juan Bautista Maíno

plate no. 2407

St. Matthew and the angel

Juan Bautista Maíno

oilBaroquereligious paintingfigureangelbookdraperyhaloreligious
some experience helpful

Recreating this painting will help students develop skills in portraiture, drapery rendering, and chiaroscuro lighting. It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the dark background with a thin layer of dark brown or black paint.

  3. step 03

    Block in the main shapes of the figures with mid-tone colors, paying attention to the light source.

  4. step 04

    Begin building up the highlights and shadows on the faces and hands, using subtle gradations of color.

  5. step 05

    Work on the drapery, creating folds and highlights to give it volume and form.

  6. step 06

    Add details to the book, quill, and other objects, paying attention to their textures.

  7. step 07

    Refine the edges and details, ensuring a smooth transition between light and shadow.

  8. step 08

    Add final glazes to enhance the colors and create depth.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing raw sienna, burnt umber, and titanium white. Use ultramarine blue and white for the angel's robe. Mix cadmium red with burnt umber for the red drapery.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·portraiture
  • ·drapery rendering
  • ·blending

common pitfalls

  • →Overblending, resulting in a flat, lifeless appearance.
  • →Incorrect proportions of the figures.
  • →Failing to establish a strong light source.
  • →Using too much detail too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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