apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. Mark's Basin
St. Mark's Basin by Canaletto

plate no. 4922

St. Mark's Basin

Canaletto, 1738

oil, canvasBaroquecityscapecityscapewaterboatsbuildingsskyfigures
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for subtle gradations, and rendering complex scenes with many details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landmarks.

  2. step 02

    Establish the sky with a light blue base and add cloud formations using lighter tones.

  3. step 03

    Block in the distant buildings with muted colors, paying attention to their relative sizes and positions.

  4. step 04

    Paint the water with varying shades of gray and blue, reflecting the sky and buildings.

  5. step 05

    Add the boats and gondolas, starting with the larger ones and gradually adding smaller details.

  6. step 06

    Refine the details of the buildings, including windows, arches, and other architectural elements.

  7. step 07

    Add figures and other small details to bring the scene to life.

  8. step 08

    Apply final glazes to unify the painting and enhance the atmospheric perspective.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ivory black

Mix blues and whites for the sky, adding a touch of raw umber for the horizon. Use raw umber and black for the boats and buildings, lightening with white for highlights. Mix yellow ochre and burnt sienna for the building details.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·linear perspective
  • ·rendering details

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Using colors that are too saturated, which will flatten the atmospheric perspective.
  • →Failing to create a sense of depth by not varying the tones and colors of the water and sky.
  • →Inaccurate perspective in the buildings and boats.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a high-quality canvas and artist-grade oil paints for best results. Thin the oil paints with turpentine for the initial layers and use linseed oil for glazing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne