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home·artworks·St-Malo vegetable market
St-Malo vegetable market by Léon Augustin Lhermitte

plate no. 0383

St-Malo vegetable market

Léon Augustin Lhermitte, 1893

pastelRealismgenre paintingmarketfiguresbuildingsvegetablescolumnsstreet
some experience helpful

Recreating this painting will help students develop skills in rendering textures with pastels and creating atmospheric perspective with subtle color shifts. It also provides practice in depicting figures in a realistic, yet impressionistic style.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the market structure and figures.

  2. step 02

    Establish the overall value structure with light, medium, and dark tones using a neutral pastel.

  3. step 03

    Begin adding local color to the buildings, figures, and vegetables, starting with the darkest areas.

  4. step 04

    Layer lighter pastel colors over the darker tones to create depth and dimension.

  5. step 05

    Use short, broken strokes to suggest texture and detail in the vegetables and clothing.

  6. step 06

    Soften edges and blend colors with a blending stump or your finger to create a hazy, atmospheric effect.

  7. step 07

    Add highlights and details to the figures and focal points to draw the viewer's eye.

  8. step 08

    Refine the composition and adjust values as needed to create a cohesive and balanced painting.

color palette

primary · ochre · burnt umber · gray · ivory

secondary · olive green · muted blue · rose madder

Achieve the muted tones by mixing complementary colors and adding gray or white to dull the intensity.

techniques

  • ·pastel layering
  • ·blending
  • ·atmospheric perspective
  • ·broken color
  • ·value sketching

common pitfalls

  • →Overworking the pastel and creating a muddy effect.
  • →Failing to establish a strong value structure before adding color.
  • →Ignoring the principles of perspective and creating a distorted composition.
  • →Using colors that are too bright or saturated, which can detract from the overall mood.

materials

surface · Pastel paper (toned)

required

  • ·Pastel set (soft or hard)
  • ·Pastel paper (toned)
  • ·Kneaded eraser
  • ·Blending stumps
  • ·Fixative spray
  • ·Drawing board
  • ·Paper towels

optional

  • ·Palette knife
  • ·Workable fixative
  • ·Easel

Choose a pastel paper with a slightly rough texture to grip the pastel. Toned paper will help establish the mid-tones and create a more harmonious painting.

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