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home·artworks·St. Lawrence Distributing the Riches of the Church
St. Lawrence Distributing the Riches of the Church by Bernardo Strozzi

plate no. 6395

St. Lawrence Distributing the Riches of the Church

Bernardo Strozzi, 1625

oil, canvasBaroquereligious paintingfiguresreligious sceneinteriorobjectsclothinglight and shadow
experienced study

Recreating this painting will help students develop skills in chiaroscuro, figure drawing, and rendering complex textures and materials like fabric and metal. It also teaches how to create a dramatic and engaging composition with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the darkest darks and lightest lights to create a strong sense of contrast.

  4. step 04

    Begin to refine the figures, paying attention to anatomy and facial expressions.

  5. step 05

    Develop the textures and details of the clothing, metal objects, and other elements.

  6. step 06

    Carefully blend and layer colors to create smooth transitions and subtle variations.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and color palette.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · cadmium red · ultramarine blue · burnt sienna

Achieve the rich, warm tones by mixing yellow ochre, burnt sienna, and a touch of cadmium red. Use ivory black and raw umber for shadows, and titanium white for highlights. Mix ultramarine blue with white and a touch of umber for cool tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·figure drawing

common pitfalls

  • →Overblending, resulting in a loss of texture and detail.
  • →Incorrect proportions in the figures.
  • →Failing to establish a strong value structure.
  • →Getting lost in the details before establishing the overall composition.
  • →Inaccurate color mixing, leading to a muddy or lifeless palette.

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches)
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium (e.g., Liquin)
  • ·varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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