apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. Justina and St. Rufina
St. Justina and St. Rufina by Bartolomé Esteban Murillo

plate no. 0837

St. Justina and St. Rufina

Bartolomé Esteban Murillo, 1675

oil, canvasBaroquereligious paintingfiguresbuildingdraperyvesselsreligious
some experience helpful

Recreating this painting will help students develop skills in rendering realistic drapery and creating a sense of depth through subtle value changes. It also provides practice in painting figures and architectural details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the building.

  2. step 02

    Establish the background with a thin wash of muted browns and grays.

  3. step 03

    Block in the main shapes of the figures, paying attention to proportions and gesture.

  4. step 04

    Begin layering in the drapery, using a limited palette of colors and focusing on light and shadow.

  5. step 05

    Add details to the faces, capturing the expressions of the figures.

  6. step 06

    Paint the building, paying attention to perspective and architectural details.

  7. step 07

    Add the vessels and other details in the foreground.

  8. step 08

    Refine the painting, adjusting values and adding highlights to create a sense of realism.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · cadmium red light · yellow ochre · titanium white

Achieve the muted tones by mixing the primary colors with white. Use glazes of burnt sienna and raw umber to create depth and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·underpainting

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of harmony.
  • →Using too much color and creating a garish effect.
  • →Failing to create a convincing sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne