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home·artworks·St. John the Evangelist giving communion to the Virgin
St. John the Evangelist giving communion to the Virgin by Alonzo Cano

plate no. 8793

St. John the Evangelist giving communion to the Virgin

Alonzo Cano

oil, canvasBaroquereligious paintingfiguresreligious sceneinterioraltarcandlecross
experienced study

Recreating this painting will help students develop skills in rendering realistic figures, drapery, and creating a sense of depth through atmospheric perspective and chiaroscuro. The detailed background also offers practice in painting intricate patterns.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and compositional elements.

  2. step 02

    Block in the major color areas with thin washes, focusing on the overall value structure.

  3. step 03

    Develop the background details, paying attention to the patterns and textures.

  4. step 04

    Refine the figures, building up layers of paint to create form and volume.

  5. step 05

    Focus on the drapery, using highlights and shadows to define the folds and creases.

  6. step 06

    Add details to the faces, hands, and other focal points.

  7. step 07

    Glaze over areas to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red

secondary · yellow ochre · raw sienna · ultramarine blue

Achieve the subtle skin tones by mixing white, red, and a touch of yellow ochre. Use thin glazes of umber and black to create shadows and depth.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·underpainting
  • ·scumbling
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details in the background.
  • →Failing to create a convincing sense of depth.
  • →Not paying enough attention to the light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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