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home·artworks·St. John the Evangelist at Patmos
St. John the Evangelist at Patmos by Alonzo Cano

plate no. 0471

St. John the Evangelist at Patmos

Alonzo Cano, 1645

oil, canvasBaroquereligious paintingfiguremountainskybookdraperyangel
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. Students will also learn how to mix subtle color variations to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and landscape.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the figure's form by adding layers of color and shading, paying attention to the drapery folds.

  4. step 04

    Paint the mountain and sky, blending the colors to create a sense of depth and atmosphere.

  5. step 05

    Add details to the figure's face, hands, and book.

  6. step 06

    Refine the highlights and shadows to enhance the overall contrast and drama.

  7. step 07

    Add the angel figure in the sky with very soft, blended strokes.

  8. step 08

    Apply a final glaze to unify the painting and enhance the colors.

color palette

primary · raw umber · burnt sienna · crimson · titanium white

secondary · yellow ochre · ultramarine blue

Mix various shades of brown and green for the mountain. Use white and yellow ochre to create the highlights in the sky and on the figure. Mix crimson and white for the drapery, adding small amounts of raw umber for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not blending the colors smoothly enough.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: raw umber, burnt sienna, crimson, titanium white, yellow ochre, ultramarine blue
  • ·Linseed oil
  • ·Turpentine
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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