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home·artworks·St. John Baptising the People
St. John Baptising the People by Nicolas Poussin

plate no. 1015

St. John Baptising the People

Nicolas Poussin, 1636

oil, canvasClassicismreligious paintingfigureslandscaperivertreesskyreligious scene
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and creating atmospheric perspective. It also provides practice in rendering drapery and subtle skin tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and landscape elements, paying attention to proportions and placement.

  2. step 02

    Establish the basic color blocks for the sky, water, and land using thin washes.

  3. step 03

    Begin building up the figures, starting with the underpainting in earth tones to define form and shadow.

  4. step 04

    Develop the drapery folds and highlights on the figures, using thicker paint and smaller brushes.

  5. step 05

    Add details to the landscape, such as trees, foliage, and distant mountains, using varying brushstrokes.

  6. step 06

    Refine the light and shadow on the figures and landscape to create depth and dimension.

  7. step 07

    Add final details, such as facial features, textures, and highlights, to bring the painting to life.

  8. step 08

    Glaze with thin layers to unify colors and add depth.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · ivory black · raw sienna

Achieve skin tones by mixing burnt umber, yellow ochre, and titanium white. Use ultramarine blue and burnt umber for shadows. Create atmospheric perspective by lightening and desaturating colors in the distance.

techniques

  • ·figure drawing
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth in the landscape
  • →Poor blending of skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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