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home·artworks·St. Jerome
St. Jerome by Juan Martín Cabezalero

plate no. 5015

St. Jerome

Juan Martín Cabezalero, 1666

oil, canvasBaroquereligious paintingfigurebookcrucifixcavebeardred robe
experienced study

Recreating this painting will help students develop skills in chiaroscuro, anatomical rendering, and creating a dramatic mood through light and shadow. It also provides practice in rendering textures like skin, fabric, and paper.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch outlining the main shapes: figure, book, crucifix, and cave opening.

  2. step 02

    Establish the dark background using a mix of browns and blacks.

  3. step 03

    Block in the main areas of light on the figure, book, and cave opening with lighter tones.

  4. step 04

    Begin refining the figure's anatomy, paying close attention to the light and shadow on the skin.

  5. step 05

    Develop the details of the book, including the pages and binding.

  6. step 06

    Add the crucifix in the background, keeping it subtle and dark.

  7. step 07

    Refine the details of the red robe, adding folds and highlights.

  8. step 08

    Add final highlights and shadows to enhance the dramatic effect.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ivory black

Achieve the skin tones by mixing burnt umber, raw sienna, and titanium white. Use cadmium red mixed with burnt umber to create the red robe. Darken colors with ivory black.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending
  • ·anatomical drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate anatomical proportions.
  • →Not creating a convincing sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints: burnt umber, raw sienna, titanium white, cadmium red, ivory black
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the dark background.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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