
plate no. 1500
Georges de la Tour, 1620
This painting provides an opportunity to practice chiaroscuro and rendering form with limited color. Students can learn to create depth and drama through strong value contrasts.
technical profile
approach — 8 steps
Sketch the basic composition, paying attention to the proportions of the figure and the placement of the objects.
Establish the darkest areas of the painting with a thin wash of dark brown or black.
Begin layering in the mid-tones, focusing on the areas where light hits the figure and objects.
Gradually build up the highlights, using lighter shades of brown, ochre, and white.
Refine the details of the face, hands, and objects, paying attention to the subtle variations in color and value.
Add the details of the hat and shell decorations.
Glaze the painting with thin layers of color to unify the tones and create a sense of depth.
Add final highlights and shadows to enhance the contrast and create a sense of realism.
color palette
primary · burnt umber · raw umber · titanium white
secondary · yellow ochre · cadmium red light
Mix browns with small amounts of yellow ochre and red for warmer tones. Use white sparingly for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of the painting.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

St. Simon
Georges de la Tour

St. Bartholomew
Jusepe de Ribera

The Triangle Player
Georges de la Tour

Glowers in a sculpted vase on a stone plinth
Mario Nuzzi

St. Jerome
Jusepe de Ribera

A Mother Entrusting Her Sons to Christ
Mattia Preti

Adoration of the Magi in a wreath of flowers
Mario Nuzzi

St. Philip
Jusepe de Ribera