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home·artworks·St. James the Greater
St. James the Greater by Georges de la Tour

plate no. 1500

St. James the Greater

Georges de la Tour, 1620

oil, canvasTenebrismreligious paintingfiguremanhatreligious figurebottleshell
some experience helpful

This painting provides an opportunity to practice chiaroscuro and rendering form with limited color. Students can learn to create depth and drama through strong value contrasts.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the proportions of the figure and the placement of the objects.

  2. step 02

    Establish the darkest areas of the painting with a thin wash of dark brown or black.

  3. step 03

    Begin layering in the mid-tones, focusing on the areas where light hits the figure and objects.

  4. step 04

    Gradually build up the highlights, using lighter shades of brown, ochre, and white.

  5. step 05

    Refine the details of the face, hands, and objects, paying attention to the subtle variations in color and value.

  6. step 06

    Add the details of the hat and shell decorations.

  7. step 07

    Glaze the painting with thin layers of color to unify the tones and create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the contrast and create a sense of realism.

color palette

primary · burnt umber · raw umber · titanium white

secondary · yellow ochre · cadmium red light

Mix browns with small amounts of yellow ochre and red for warmer tones. Use white sparingly for highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·value studies
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much white, which can make the painting look chalky.
  • →Not paying attention to the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of the painting.

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related guides

oil painting for beginners →how to learn by studying the masters →
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