apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. Francis of Assisi
St. Francis of Assisi by Jusepe de Ribera

plate no. 5905

St. Francis of Assisi

Jusepe de Ribera, 1643

oil, canvasTenebrismreligious paintingfigureskullreligiousportraitrobebeard
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to model forms using light and shadow. It also offers practice in rendering realistic skin tones and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the skull.

  2. step 02

    Establish the dark background with a thin wash of dark brown.

  3. step 03

    Block in the main shapes of the figure with mid-tone browns and grays.

  4. step 04

    Begin building up the highlights on the face, hands, and skull, using lighter shades of brown and yellow.

  5. step 05

    Refine the shadows, paying attention to the subtle gradations of tone.

  6. step 06

    Add details to the robe, face, and skull, such as wrinkles, folds, and bone structure.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the depth of the shadows.

  8. step 08

    Add final highlights and details to create a sense of realism.

color palette

primary · burnt umber · raw umber · titanium white

secondary · yellow ochre · ivory black

Mix various shades of brown by combining burnt umber, raw umber, and ivory black. Use yellow ochre to warm up the skin tones and skull. Titanium white is used to create highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much white, which can make the painting look chalky.
  • →Ignoring the subtle color variations in the skin tones and skull.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw umber, titanium white, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

St. Simon

St. Simon

Georges de la Tour

St. Bartholomew

St. Bartholomew

Jusepe de Ribera

The Triangle Player

The Triangle Player

Georges de la Tour

Glowers in a sculpted vase on a stone plinth

Glowers in a sculpted vase on a stone plinth

Mario Nuzzi

St. Jerome

St. Jerome

Jusepe de Ribera

A Mother Entrusting Her Sons to Christ

A Mother Entrusting Her Sons to Christ

Mattia Preti

Adoration of the Magi in a wreath of flowers

Adoration of the Magi in a wreath of flowers

Mario Nuzzi

St. Philip

St. Philip

Jusepe de Ribera