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home·artworks·St. Francis of Assisi
St. Francis of Assisi by Bernardo Strozzi

plate no. 1629

St. Francis of Assisi

Bernardo Strozzi

oil, canvasBaroquereligious paintingfigurereligiousskullcrucifixrobebeard
experienced study

Recreating this painting will help students develop skills in portraiture, rendering realistic skin tones, and creating depth through chiaroscuro. It also provides practice in depicting textures like fabric and bone.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to proportions and placement of the figure, skull, and crucifix.

  2. step 02

    Establish the background with a thin wash of blue, gradually darkening towards the edges.

  3. step 03

    Block in the main areas of color for the figure's robe, skin, and skull.

  4. step 04

    Begin layering and blending colors to create form and volume in the face and hands.

  5. step 05

    Add details to the robe, including folds, tears, and shadows.

  6. step 06

    Carefully render the skull, paying attention to the subtle variations in tone and texture.

  7. step 07

    Paint the crucifix and the figure on it, focusing on anatomical accuracy.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · burnt umber · raw sienna · ultramarine blue · titanium white

secondary · cadmium yellow · alizarin crimson · ivory black

Achieve skin tones by mixing burnt umber, raw sienna, and white, with small amounts of cadmium yellow and alizarin crimson for warmth. Darken shadows with burnt umber and ivory black. Create the background blue by mixing ultramarine blue and white, adjusting the value as needed.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth and volume.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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